Good scenography follows function, is unobtrusive, and allows us to sense the content. This is the case in Valerie Messini and Damjan Minovski’s experience, in which lengths of transparent plastic that extended to the ceiling represented something like a gateway to a new world – a world where the physically absent virtual space is made physically tangible: Considered in this light, HEAD IN A CLOUD was intended more as an interactive space that can be explored than a video installation. Rather than visualizing a concrete object, 2MVD invited its viewers to take an immersive journey and explore the possibilities of spatial perception.