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The challenge of moving the highly sensitive and extremely heavy glass installations to the top floor of the Festival Headquarters South was worth it. Here, in the bridge of the ship-shaped interior, the full effect of the artist Siegrun Appelt’s precisely cut objects from the Czech Republic’s Northern Bohemian glassworks – a combination of vase, lamp and art object – was able to develop fully. The objects, which intentionally seemed unfinished, were made to shine with the aid of movable light sources. This approach could be studied further during a visit to the artist’s studio on Westbahnstraße.